The Magicians is back, and in the event that you thought the Season 2 finale cliffhanger would have been enveloped with a pleasant bow before proceeding onward to other experiences, you are in for a reality check. Enchantment is no more. Gone from Fillory, gone from Earth, going from our saints and scoundrels. After Quentin and his group straight-up killed a divine being in the Season 2 finale, enchantment was straight-up killed in this segment of the universe, leaving the majority of our characters in dubious positions. But instead than fix things immediately, The Magicians Season 3 seizes upon this plot advancement as a chance to develop the characters, up the ante, and let the scaffold humor fly higher than any time in recent memory. The show is extraordinary yet the equivalent; uncontrollably reconfigured, yet at the same time the Magicians we know and love. It’s a development, child, and we’re in for one serious ride.
The Magicians Season 3 gets not very long after Season 2 finished. Quentin (Jason Ralph) and Julia (Stella Maeve) are as yet attempting to tackle what minimal enchantment she has left, embarking to find somebody who may have answers. Margo (Summer Bishil) and Eliot (Hale Appleman) are confronting their greatest test up to this point as they attempt to manage Fillory without enchantment while additionally doing the offering of the Fairy Queen and her partners, who prowl undetected in the château and power Margo and Elliot to perform irregular assignments—a lot to their shame. Penny (Arjun Gupta) is still gradually kicking the bucket from disease while likewise serving his sentence for the library, yet Kady (Jade Taylor) holds out trust in a fix and is working tenaciously to discover one—with time running out. At long last, Alice (Olivia Taylor Dudley) is on the kept running from an animal she profoundly steamed while she was a biscuit, while likewise endeavoring to figure out how to bring enchantment back.
The majority of the characters are at depressed spots, and the loss of enchantment hits everybody similarly hard, yet in various ways. The show’s essayists—driven by EPs Sera Gamble and John McNamara—astutely consider this to be both a character and story opportunity, and incline toward the difficulties it presents. Rather than neatly “fixing” enchantment toward the start of the period, the characters are compelled to confront a world in which enchantment is never again accessible, and in this way they’re never again uncommon. They’re back to their harmed selves, and that outcomes in different existential emergencies all through.
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